Two albums. Two experiences.
Sixteen songs on each album, connected across English and Spanish. Each has its own music, expression and pacing.
Sixteen songs on each album, connected across English and Spanish. Each has its own music, expression and pacing.
Still My Own · Track 16 / 16
Whole doesn’t mean I’m done.
From Still My OwnAn unexpected note. An attractive distraction. The chair from the opening song returns, now offered to an unfamiliar future self. The ending holds conviction, love and an appetite for more life.
Connected song on Aún Soy Mío
Aún Soy Mío
An unexpected note interrupts the plan. So does an attractive man. The old line can remain beneath the new one without making either dishonest. Mama’s doorway and Grandma’s chair return as a welcome offered before all the answers are known, including to parts of himself he has yet to discover. He is not replacing an inadequate self with a better one. He is already whole, with more life to meet and more choices to make. Care, candor and responsibility remain part of how he lives that freedom.
I can stand my ground and still be moved.From the lyrics of Still My OwnThe closer does not ask for endless change or perfect certainty. Being whole now does not mean being finished discovering yourself or finished being reached by someone else. The unexpected note, the attraction and the waiting chair put that openness into ordinary life. He can receive love without handing over his future, enjoy desire without letting it make every decision, and question himself without surrendering his convictions to someone else. What comes next need not erase what was real before. He does not choose every feeling that arrives; he still chooses how to respond, with care for his own freedom and other people’s. The album ends with a life to participate in, not an identity to finish defining.
The album returns to its opening welcome with more ways to live it: receiving love, enjoying desire, questioning a certainty, offering room to another person and choosing what to do next. Wholeness belongs to the present; it is not a reason to stop learning from life or the people in it. The ending leaves him available to the world, with a life of his own to bring to it.
Recorded performance by Christian Rodriguez / Chris in Full.
Still my own, still becoming.
Whole right now, more life to come.
Let it move me.
Let me feel it all.
I'll still choose.
I’ve got room for something new.Still my own.
Still becoming.
I can be moved and still be my own.
I can love you without owning your tomorrow.
I can love me without knowing all of mine.
I meant the line. I get to live beyond it.
I can be real and still surprise myself.
Oh, and there's more where that came from.
Still my own.
Still becoming.Concept, lyric writing, development and revision, musical and performance direction: Christian Rodriguez / Chris in Full.
Chris revised the language of self-belonging and becoming, requested greater musical force, and selected the clearer alternate. His revised musical direction called for electric hurdy-gurdy as a recurring lead, combining bowed-string grit and rhythmic buzzing with bass-house drive, swung breakbeat accents, melodic rap and powerful sung hooks. The direction asks the recurring motif to evolve through the choruses and final instrumental passage, keeping warmth and force together. He identified its performance as a fitting conclusion that still leaves room for more life and music.
Across Still My Own, Chris’s original writing, extensive rewriting and narrative development give form to his lived experience, imagination and emotional vision. He works between intuition and reasoning, refining language and musical direction so that phrasing, rhythm and delivery carry what he means. These notes describe creative development, not final recording credits.
Authorship, AI use & vocal information
Album-level creative credits