Two albums. Two experiences.
Sixteen songs on each album, connected across English and Spanish. Each has its own music, expression and pacing.
Still My Own
Aún Soy Mío
Two men trade the good parts of their nights. Hearing what the other wanted, and enjoyed, brings them closer. Then the conversation becomes an invitation to stay.
Connected song on Aún Soy Mío
Me Gusta Que Mires
Tell me the good part again.
Desire has room for stories. What each man enjoyed elsewhere becomes something they can share here, without reducing either of them to a possession or a performance. The narrator keeps listening until he has a want of his own to name: this man, here, for the rest of the night. The answer comes back just as plainly.
I like you looking.
I like being seen.From the lyrics of I Like You LookingWanting you does not require shrinking your world.
The pleasure is not only in what happened elsewhere. It is in being able to tell the truth here and feel the other person enjoy knowing you. Their candor brings them closer without making either man a possession. This is one possible language of intimacy, not a rule for every relationship. The essential thing is that both can genuinely choose it.
On Still My Own
The song gives mutual pleasure an intimate scale. The World Was Here opens that attention outward, toward people, places and forms of connection beyond the pair.
Development & creative credits
Recorded vocals · Chris in Full
Recorded performance by Christian Rodriguez / Chris in Full.
I like you looking.
I like being seen.
I like hearing you got what you wanted
With someone who wanted you back.Concept, lyric writing, development and revision, musical and performance direction: Christian Rodriguez / Chris in Full.
Chris changed the presentation from a duet to a single narrator, making clear that the song is told through one person’s perspective rather than presenting two separate voices. His perspective still holds both men’s experiences, refines their reciprocal desire, and calls for harder club impact without turning pleasure into a defense speech.
Across Still My Own, Chris’s original writing, extensive rewriting and narrative development give form to his lived experience, imagination and emotional vision. He works between intuition and reasoning, refining language and musical direction so that phrasing, rhythm and delivery carry what he means. These notes describe creative development, not final recording credits.
Authorship, AI use & vocal information
Album-level creative credits