Two albums. Two experiences.

Sixteen songs on each album, connected across English and Spanish. Each has its own music, expression and pacing.

Still My Own · Track 13 / 16

I Could Be Wrong

A good night. I wanted you in it.

I Could Be Wrong artwork · Chris in FullFrom Still My Own

Two people mistake each other’s happiness for how little they are missed. A conversation changes the reading. A reunion, then a next-day call with nothing new to report, makes the discovery real.

Connected song on Aún Soy Mío
Quizá Me Equivoco

The love inside the good night.

Each person knows the feeling inside their own freedom and laughter. Neither has asked enough about what lives inside the other’s. Missing someone does not have to look like misery to be real. They speak and meet. They call again the next day because interest, care and effort have been freely returned, not because one person is willing to carry the connection alone. Nothing exceptional has happened; within that reciprocity, wanting the other person’s voice is reason enough. Reaching for someone does not have to mean leaving yourself behind.

You don’t have to hurt For missing me to count.From the lyrics of I Could Be Wrong

Your happiness does not tell me how little I matter.

Each mistakes the other’s happiness for a measure of how little they are missed. The feeling inside their own independence becomes a reason to question that reading. Both voices get to misunderstand, ask and be answered. Enjoyment and longing can be real at once; neither has to perform distress for the other to feel wanted. They can keep their good nights and make room for the pleasure of being together.

On Still My Own

Confidence becomes more trustworthy when it can revise itself. The next song widens the question from feelings that precede recognition to lives that precede permission.

Development & creative credits

Recorded vocals · Chris in Full

Recorded performance by Christian Rodriguez / Chris in Full.

Passage 1
I could be wrong About how little I move you. I was happy. I missed you. I still do.

Concept, lyric writing, development and revision, musical and performance direction: Christian Rodriguez / Chris in Full.

Chris rejected a treatment that felt too slow and sensual, redirected it toward stronger dance energy and rap, and selected an alternate. His musical intervention sought more movement for a song about reconsidering an emotional assumption.

Across Still My Own, Chris’s original writing, extensive rewriting and narrative development give form to his lived experience, imagination and emotional vision. He works between intuition and reasoning, refining language and musical direction so that phrasing, rhythm and delivery carry what he means. These notes describe creative development, not final recording credits.

Authorship, AI use & vocal information

Album-level creative credits