Two albums. Two experiences.
Sixteen songs on each album, connected across English and Spanish. Each has its own music, expression and pacing.
Sixteen songs on each album, connected across English and Spanish. Each has its own music, expression and pacing.
The album · Chris in Full
A whole life.
Room for more.
Sixteen songs move through love, appetite, ambition, humor and the freedom to change. A welcome becomes something you can offer. A boundary leaves room for future love. Pleasure gets an evening of its own.
Still My Own and Aún Soy Mío · Official release: December 3, 2026.
Listening links will appear here as the albums become available on streaming platforms.

01 through 16
Begin with Truthfully and follow the album through to Still My Own, or choose a title for its story, artwork and lyric excerpt.
Explore by themeThe artistic signature · In Chris’s words
Real Hearts & Bodies is my genre and artistic signature in English and Spanish, a musical language born from my lived experience, inner world, and imagination, shaped through my writing and creative direction. I bring the dark allure of electronic pop, the intimacy of Hiphop/R&B and the lyrical pulse of melodic rap into the heat and release of the dance floor. Here, heartfelt love can be fierce.
That foundation opens into house energy, reggaeton-inflected rhythms and instrumental colors from different traditions, including Cuban tres, Chinese guqin, Greek lyre, Egyptian harp and electric hurdy-gurdy. A single song can bring several musical worlds together without changing the message of its lyrics.
I meticulously shape how these musical influences meet, alternate and give way to one another as a song unfolds. Shifts in rhythm, instrumentation and vocal delivery can bring a changing emotional perspective into the sound itself.
For me, emotional precision means refusing to let one truth erase another. Missing someone does not necessarily mean wanting the relationship back. Desire does not decide what either person owes. A change of heart does not make every earlier feeling a lie.
I develop those distinctions through original writing, extensive revision, and musical and performance direction. An instrument can answer the voice without repeating it. A pause can leave room for another person; an emphasis can turn an invitation into a demand. I work through intuition, emotional sensitivity and reasoning to hear those differences, questioning what the language and delivery might imply as I refine what I mean.
Meditation, philosophical inquiry and psychological observation inform that attention. I examine the difference between a feeling and the story built around it, between an inherited expectation and a freely chosen desire. Those distinctions can become dramatic turns within a song: a confident voice reconsidering an assumption, attraction becoming more intimate through honesty, or a familiar chorus taking on a different meaning because of what has happened since it was last heard.
These artistic relationships shape Real Hearts & Bodies. Thought does not have to interrupt the pleasure, and pleasure does not have to justify itself by teaching something. Desire can be intellectually charged. A moment of self-recognition, emotional clarity, or intimate truth can arrive inside the pleasure of a song.
Across the 16 songs of Still My Own, love, pleasure, belonging and perseverance meet deeper questions of shame, power and freedom through an ordinary man’s extraordinary range of feeling, with room to stand his ground, question himself, let someone reach him and keep becoming.
For women, men and people of every gender and walk of life, the invitation is to reclaim agency over your own heart and body: to feel deeply, want honestly, choose freely and give your life a direction of your own.
Love can change my life. It does not get to own it.
I create this work in English and Spanish to meet people across countries and cultures, while giving each album a musical and expressive life of its own. My ambition is to contribute to human evolution in how we understand ourselves and live together: to question who taught us to feel ashamed, whose interests that shame serves, and why love is so often asked to prove itself through surrender. I want the songs to make another possibility felt: lives that can touch, challenge and change one another while remaining their own.
That change includes me. I want to keep learning how to feel intensely, think critically and remain responsible for what I do. The music brings those questions into desire, humor, intimacy and pleasure. I want it to open more possibilities for being human together, without turning my way of living into another rule someone else must follow.
Even the parts of ourselves we rarely let anyone see are invited into the light, to speak, to dance, to discover what they awaken in each other. We can meet there with more of ourselves present and less of ourselves on trial.
We’re often taught to make ourselves easier to love by keeping parts of ourselves out of sight. Yet the very things we thought would cost us closeness can open new ways to understand, desire and care for one another. There can be more love when there is more of us to meet, with room to be different and still be close.
I do not have to become less thoughtful to be sensual, or less loving to stand my ground. These are not rival identities taking turns being the real me. They can exist together, and none has to tell the whole story. What I felt before could have been real without deciding everything I am allowed to feel or choose now. I do not choose every feeling or discovery, but I have a say in how I live them. Being whole does not mean being finished. Knowing myself is not the end of the invitation. I want to bring that fuller presence into how I listen, desire, create and care, and leave room for you to meet me without leaving yourself behind.
Every part of me gets to live, including who I have yet to become.
I shape this signature through original writing, extensive revision, and the conversation between what I feel and how I give it form.
The feeling and craft behind the songsBetween the first song and the last
Truthfully begins with wanting to belong without disappearing. A doorway stays open; a chair waits. By the end, the welcome can be offered to someone else. Still My Own returns to that chair with room for an unfamiliar future self: whole now, open to more life. A different choice need not make an earlier one dishonest.
Between them, a vampire learns that his protection must include himself. A goodbye leaves room for future love. An ordinary afternoon has worth without an achievement to show. Desire becomes more particular through conversation, a chorus sung wrong, a hand held in public, a mind close to another mind. Pleasure gets to matter without repairing a wound.
That freedom reaches beyond the individual. An idea deserves more than a verdict based on its maker’s standing. Questions can change a conviction. Receiving help can become reaching back; being welcomed can become making room. Closeness can change what someone discovers without giving either person ownership of the other’s future. Belonging leaves room for difference, disagreement and responsibility.
Some songs insist. Some flirt. Some catch themselves getting it wrong. Hurt shares the story with laughter, work, desire and an appetite for the unknown. The album moves among those experiences without requiring one to resolve all the others.
Chris’s writing and revisions give those distinctions a form: affection can survive a decision to leave; happiness can coexist with missing someone; a changed understanding can open a different choice. Language, imagery and musical direction carry their particular emotional lives, leaving room for listeners to arrive from elsewhere.
The person behind the albumConnections across the songs
A doorway, a chair, a place made for someone new. Truthfully, The World Was Here and Still My Own return to the welcome from different directions: receiving it, offering it and extending it to someone you have yet to become.
A look invites a story. Candor becomes part of the flirtation. An honest maybe leaves room for a real yes. Across I Like You Looking, Technically, Make It Weird and My Hips Heard It First, wanting remains pleasurable while each person keeps a say.
A quiet afternoon, an unexpected attraction, a mistaken reading, a song worth turning up. Good Company, Just Because, My Type, Apparently, Let It Reach Me and I Could Be Wrong give discovery different textures. Being your own includes the freedom to be surprised.
Love Has Teeth protects the person doing the loving. Open When It Breaks leaves what keeps causing harm. Outnumbered insists on room to create and contribute. Before Your Permission brings dignity into a life already being lived. Recognition matters; it does not create the worth of the person waiting for it.
The life the songs make room for
A thoughtful person can want intensely. A spiritual life can include appetite, ambition and a very good night. Still My Own gives those dimensions room in the same person, with responsibility for how each is lived. Wisdom, sexuality, humor and heartfelt love can meet without requiring one to disappear.
The invitation reaches across sexualities, genders and backgrounds. Where the songs name men loving men, those men get a life: affection, heat, awkwardness, wit and ordinary detail. They can be particular people, and their feelings can still reach someone whose life looks different.
Heterosexuality, status and institutional approval do not determine whose love has worth. The freedom claimed in these songs includes another person’s freedom: to answer, refuse, change, remain different and bring something unexpected into the encounter. Love, pleasure, work and discovery can deepen a life whose value already exists.
Chris brings a Cuban-American upbringing, study, professional work, meditation, relationships, disappointment and pleasure into that conversation. You bring experiences he has not lived. The album leaves room for what you recognize, what you question and what you might discover within your own life.
The writing and revision behind the recordFrom the final song
“I can stand my groundInside Still My Own
and still be moved.”